Awake and Sing V
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             created 11/16
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An Inspector Calls @ Arlington Friends of Drama, Arlington MA
        Classic drawing room murder mystery from the 1940's by J.B Priestley, which in a talk back session the director, who had seen a London production, said is studied in the UK by school children. Wikipedia says the play "is considered to be one of the classics of mid-20th century English theater". The play set in 1912 is considered to be  a "scathing critique of the hypocrisies of Victorian/Edwardian English society".  Fred Robbins plays Inspector Goole.

        After a talkback session, I introduced myself to the director, Mary Fitzpatrick, who is also on the board of the Arlington Friends of Drama and discussed a large future donation.


Arlington Friends of Drama production of 'An Inspector Calls' (Nov 13, 2016)
Fred Robbins as Inspector Google is standing upper right


cast of family
(note fantasy door right with non-rectangular window panels)
 (image found on twitter)


dramatic lightling with changing backdrop projection near end of play

Nov trip to NYC to see some shows (11/8/16)
        A five day trip (wed to sun) to NYC in early Nov 2016 allowed me to see six shows, since wed and sat are matinee days. Four shows were new to me, the plays Front Page and  Love, Love, Love, and two new musicals Waitress and Holiday Hotel, billed as a new Irving Berlin musical. I had a hard time picking my last three shows. While I was at the Roundabout box office on 46th for Holiday Hotel, I added another Roundabout production Love, Love, Love playing on 46th way underground. Somewhere I heard it was a four person review, the printed fly had no description at all. I had seen a lot of interesting work in that theater that you don't see anywhere else and I trusted Roundabout. Imagine  my surprise when I kept waiting for singing and there was none. It turned out to three plays (in three acts) done by the same five person cast. Interesting.

        Waitress was my rain show. Rain was predicted that day, and Waitress is only a few hundred feet from the Edison. It's a lightweight show, but uplifting with pleasant songs. The anchor show for the trip was 'Front Page', a limited run revival of a 1928 play about newsmen with Nathan Lane and John Goodman. Got only middling reviews, but it was an event with a huge cast of 26. At the pose for the call with all the actors on stage together, they hardly all fit on the relatively small stage.

        Shows in order seen:
                wed                Matilda, musical
                                       Front Page, classic play from 1928 about Chicago newsmen waiting in jail house press room for a hanging, by Ben Hecht
                                                  and Charles McArthur. Limited run starring Nathan Lane, John Slattery,  John Goodman, and Jefferson Mays.
                thur                 Waitress, new light frothy musical about (surprise!) three waitresses working in a diner (no dancing)
                 fri                   Holiday Inn, new Irving Berlin musical, lots of his songs with a wisp of a plot to hold it together,
                                                 stage adaptation of a 1942 movie where show folk put on a show in the barn of their farm with tap dancing chorus
                 sat                  Love, Love, Love (play) 3 different one act plays, with mostly same cast, and three different living room sets
                                                 Roundabout offbroadway house deep underground on 46th st.
                                       Matilda, musical

        In my NYC trips of recent years I always squeeze in a visit to Matilda. I love this show. I put it as wed mat, knowing that if the plane was late I could miss it. At the end of the week when nothing really excited me, and knowing it was closing in a couple of months, I went back again sitting in the same terrific Row A  (limited view) seat,  the second time on the opposite side.

        Nice effects in Matilda
                    --- chalk writes on black board  (still don't know how this is done, impressive)
                    --- laser light show
                    --- swings with dancers go out way over the audience (audience oes & ahs)
                    --- climbing on boxes in school gate (superb timing, the box appearing just before someone steps or sits on it)
                    --- Trunchbull does an absurd, but charming ribbon dance
                    --- phys ed  tumbling topped off by Trunchbull diving completely over the horse (audience applause)
                    --- Trunchbull abuse: spinning around a girl by her 'pigtails' and 'stretching' a boy's ears
                   ---  impressive set with desks for the whole class rising out of the floor, and lots of special light effects

Mame @ Stoneham Theater, Stoneham MA
        Super production of the Jerry Herman show 'Mame' by skilled large cast, led by Stoneham's diva Kathy St. George. very well directed and choreographed by Ilyse Robbins. Kathy St. George is getting older, but still has a strong voice and is a barrel of energy on stage nearly the whole show. Kathy is paired with a ten year old boy (CAMERON LEVESQUE who plays her nephes Peter. He has a major role, acts and dances and wows the audience when he sings. A beautiful young voice and sings sings both solo and wonderful duets with Kathy. MATTY RICKARD does an excellent job acting/singing as older Peter, he is also listed as dance captain. Set designed with art deco flair by Katheryn Monthei. Costumes designed by Tyler Kinney. Matthew Stern capably heads an energetic seven-piece ensemble.


Stoneham Theater production of Mame (dec 2016)
starring Kathy St. George with MARY CALLANAN


nice art deco set by Katheryn Monthei


Kathy dancing with part of the ensemble

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CEIT ZWEI, Kathy St. George, and ROBERT SAOUD


WILL MCGARRAHAN, and Kathy St. George
Nice riding togs by Tyler Kinney


Impressive 10 years old actor/singer Cameron Levesque

Feb trip to NYC to see some shows

April-May 2017

April trip to NYC to see some shows
        Present Laughter ---- by Noel Coward with Kenvin Kline
                  Somewhat disappointed in this dull production and performance by Kline. Not nearly up to the standards of the Huntington production
                             (with Victor Garber) of a few years ago. The set was drab and Kline seemed to throw away a log of the good lines in the play.
        If I forget --- jewish family drama at off broadway Roundabout house on 46th
        Come from Away --- Newfoundland musical with follk music type score about the grounding in this small town of a huge number of planes after
                                                  terrorist attach on the world trade center and pentagon. The score was not my cup of tea.
        The Play that goes wrong --- wild physical comedy from UK

        Three day (wed to sat) trip to NYC to see some shows. Wed was mat day, so was able to see four shows, three plays and one musical. Sat in the first three rows for each show.  One show off broadway was at Roundabout's off broadway house deep underground on 46th streets. I've seen a lot of good shows at this theater, This show had sharp dialog within a jewish family. I like plays like this. My family on my mother's side come from Newfoundland, so I had to go see the Newfoundland musical. It's about 30 somethihng planes that landed after 9/11 at Gander, so there were more passengers to be taken care off for several days that live in Gander. This musical was not my cup of tea with a folk music type score sung by a cast of a dozen or so citizens of the town who are on stage most of the show. For a big broadway show this show had a set that was almost non-existent, consisting basically of a few tree trunks on either side of the stage. That was it, the super sparce set never changed the whole show. I was in NYC in feb and happened to see these tree trunks on a truck outside the theater. There were real tree trunks, pretty long, about 2 ft in dia. They must have been heavy and a bitch to set up. (wild knock about comedy from england)

        The show I largely went to NYC to see on this trip, 'Present Laughter' by Noel Coward with Kevin Kline was a big disappointment. A dreary set and a dull production. Not nearly as good as the production a few years ago at the Huntington in Boston (with Victor Garber), that a couple of years later transferred to Broadway running in the Roundabout house on 42nd street.

        On the last day (fri afternoon) it was the first day of the car show, so I walked to the Javit's center and walked around the show or 2-3 hours.

Boston Ballet's Sleeping Beauty
        Excellent performance.

Gabriel @ Stoneham Theater
        Big time acting on the Stoneham stage. Engrossing, saw it three times. Built around a battle of wits between a Natzi officier on the Island of Guernsay, wonderfully played by Thomas Derrah, and a determined middle age woman whose house the Natzi officiers have taken over who does what she needs to do to protect her family played by Georgia Lyman. They are well supported by Josephine Elwood, Alexander Molina (who speaks german!) and Cheryl McMahon. Plus a nice perfromance ten year old, Marissa Simequi (from Stoneham, 4th grade), who has an amazingly long role.  Good reviews of the Stoneham production, and good review of the play off broadway in NYC by Isherwood in 2010.


Stoneham Theatre production of Gabriel (May 2017)
Georgina Lyman (left) and Thomas Derrah as Natzi officeer,
(center, in white) recovered nearly dead body dragged from beach (Alexander Molina) with no memory who speaks both english and german

Matilda national tour @ Providence Performing Arts Center, Providence RI
        Matilda is one of my favorite shows, but after three years it no longer running on Broadway, and the national tour does not include Boston. So May 21. 2017 (feeling pretty good) I drove 64 miles down (and back same day through very heavy commuting traffic on Rt 128) to Providence RI to see the tour version. From the bios, this must be the 2nd tour. The Matilda I saw was older, her bio said she had been in the first tour. The production is somewhat scaled down, fewer kids, books painted, school desks no longer rise from the stage, but are pushed in from the side. One nice special effect missing entirely, the laser beams through the audience. There were no laser beams at all just a weak simulation of them using stage lights.

        Cast was very good, haven't checked, but some may be from the Broadway casts. Yes, at least one, Mr Wormwood (Matt Harrington), but Mrs Wormwood (Darcy Stwart) and Rudolpho (Stephen Diaz) look a lot like a Broadwas cast. Miss Honey (Jennifer Bowles)I have seen in other shows. The excellent Agatha Trunchbull (Dan Chameroy) is a canadian actor.


Tour Matilda cast or NYC Matilda cast?  May 21, 2019)

Shakespeare's Macbeth by Young Company @ Stoneham Theater, Stoneham, MA
           Nicely done with Sebastian Roizner as Macbeth and Mary Egan as Lady Macbeth.  No bio information, just names on a handout card. 70 min (no intermission). Without crib notes (read only after the performance) I find it impossible to figure out the plot.  The performance, one day for public following two performances for students, was  featured on front page of free Stoneham newspaper. As an experiment I brought my complete works of Shakespeare, which I soon found out was a waste as the stage started off far too dim (with witches) to read it.

Plot summary
       I did however read the in the book the cast of characters (info the play gower does not get).  This initially puzzled me as the king of Scotland (king Duncan) is a character in the play. and Macbeth is identified as a general in his army. So what we have here is a coup, where the king's general is out to kill him. Skakespeare gooses this up with three witches telling Macbeth he will be king with a series of prophecies. After a military victory by Macbeth and fellow general Banquo, the king is praising Macbeth and will be staying the night in Macbeth's castle. Lady Macbeth hearing of the witches prophecies urges her husband to kill the king. So Macbeth does, stabbing the king in his bed. Macbeth is also a kinsman of the king, so he takes over as king.

        Macbeth fears his fellow general (Banquo) so he arranges for him to be murdered also, which he is. Nice guy Macbeth! Now we have some ghost crap with Banquo's ghost appearing, like Dicken's Christmas Carol more than a century later, the ghost congers up a series of scary scenes. Macbeth learns that Banquo has fled to england, so Macbeth has Banquo's wife and kids killed in england and for good measure grabs his english castle too. Macbeth's wife now has second thoughts about the murders, goes mad and kills herself! Banquo teams up with the scottish king's son to form an english army supported by nobles to attack Macbeth. Macbeth is killed. Malcolm  (Who the hell is Malcolm? Ok Malcolm is a son of king Duncan and before his death king Duncan designated him his heir.)  carries Macbeth's head on stage, and as the son of the killed King Duncan is crowned the new king of england. (Wikipedia is Macbeth, summarized by me, and from Cliff notes is not quite right as Macbeth is killed by Macduff, a follower of king Duncan, and not Malcolm.)


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whole Macbeth cast in costume
(where is the 3rd witch?)

(left) Macbeth (Sebastian Roizner) and his wife Lady Macbeth (Mary Egan0


(lelf) Macbeth thinking of murder knive
(right) Macbeth with two of three witches

Boston Ballet's The Concert  by Robbins @ Boston Opera House, Boston MA (May 2017)
        Last performance of the BB season. Wonderful dancers, wonderful performance. Three pieces on program.
              1)  Stavinisky violin concerto -- new to BB. One of Balinshine's pieces done in practice clothes in front of a blank screen.. Nice piece.
              2)  new piece by BB resident choerographer Elo -- nice  (he has finally given up his quirky movements and is adopting a classical style)
              3)  Robbins The Concert (a funny ballet) --- I've see BB do this piece before
..